• Untitled 11 by Lori Ellison
    (1/50)
    Lori Ellison, Untitled 11 (2011), Acrylic on Wood Panel, 7 x 5 inches
  • Untitled 12 by Lori Ellison
    (2/50)
    Lori Ellison, Untitled 12 (2011), Acrylic on Wood Panel, 7 x 5 inches
  • Untitled 13 by Lori Ellison
    (3/50)
    Lori Ellison, Untitled 13 (2011), Acrylic on Wood Panel, 7 x 5 inches
  • Water 1 by Anne Saint-Pierre
    (4/50)
    Anne Saint-Pierre, Water 1 (2019), Pigment inkjet print on archival matte paper, 13 x 13 inches
  • Water 2 by Anne Saint-Pierre
    (5/50)
    Anne Saint-Pierre, Water 2 (2019), Pigment inkjet print on archival matte paper, 19 x 13 inches
  • Water 3 by Anne Saint-Pierre
    (6/50)
    Anne Saint-Pierre, Water 3 (2019), Pigment inkjet print on archival matte paper, 13 x 13 inches
  • Water 4 by Anne Saint-Pierre
    (7/50)
    Anne Saint-Pierre, Water 4 (2019), Pigment inkjet print on archival matte paper, 19 x 13 inches
  • Afternoon Conversation by Caroline Blum
    (8/50)
    Caroline Blum, Afternoon Conversation (2019), Acrylic on Canvas, 12 x 12 inches
  • Open Space by Caroline Blum
    (9/50)
    Caroline Blum, Open Space (2019), Acrylic and collage on canvas, 16 x 20 inches
  • Thursday's Child by Caroline Blum
    (10/50)
    Caroline Blum, Thursday's Child (2019), Acrylic and collage on canvas, 12 x 12 inches
  • Beach Bazaar by Caroline Blum
    (11/50)
    Caroline Blum, Beach Bazaar (2019), Acrylic and ink on canvas, 16 x 20 inches
  • Overture by Caroline Blum
    (12/50)
    Caroline Blum, Overture (2019), Acrylic and collage on canvas, 16 x 20 inches
  • Argus by Caroline Blum
    (13/50)
    Caroline Blum, Argus (2019), Pen on graph paper, 11 x 8.5 inches
  • In the North Woods by Caroline Blum
    (14/50)
    Caroline Blum, In the North Woods (2019), Pen on graph paper, 11 x 8.5 inches
  • Drawing for Paula Modersohn-Becker by Caroline Blum
    (15/50)
    Caroline Blum, Drawing for Paula Modersohn-Becker (2018), Pen on paper, 11 x 8.5 inches
  • Blue Braids by Caroline Blum
    (16/50)
    Caroline Blum, Blue Braids (2018), Pen on graph paper , 11 x 8.5 inches
  • Rain or Shine by Eun Vivian Lee
    (17/50)
    Eun Vivian Lee, Rain or Shine (2019), Nail polish on Arches paper, 37 x 37 inches
  • North & South Korea Meet by Eun Vivian Lee
    (18/50)
    Eun Vivian Lee, North & South Korea Meet (2019), Nail polish on Arches paper, 30 x 30 inches
  • Freedom or Patience by Eun Vivian Lee
    (19/50)
    Eun Vivian Lee, Freedom or Patience (2019), Nail polish on Arches paper, 20 x 20 inches
  • Fires These Days are Unpredictable and Behave in Ways That Shock Even Scientists by Kate Snow
    (20/50)
    Kate Snow, Fires These Days are Unpredictable and Behave in Ways That Shock Even Scientists (2017), Gouache and graphite on handmade paper, 16 x 20 inches;20.75 x 24.75 inches
  • One Race, Eduardo; San Paolo, Brazil by Eun Vivian Lee
    (21/50)
    Eun Vivian Lee, One Race, Eduardo; San Paolo, Brazil (2016), Nail Polish on Handmade Paper, 27 X 22 inches;32 x 27 inches
  • They Say, "We Are -Fearless- -Brave- Foolhardy" by Kate Snow
    (22/50)
    Kate Snow, They Say, "We Are -Fearless- -Brave- Foolhardy" (2017), Gouache and graphite on handmade paper, 18 x 24 inches;23.25 x 29.25 inches
  • One Race, CML; MA, USA by Eun Vivian Lee
    (23/50)
    Eun Vivian Lee, One Race, CML; MA, USA (2016), Nail Polish on Handmade Paper, 27 x 22 inches;30 x 26 inches
  • We are a Herd, Huddled Together Seeking Safety in Plain Sight by Kate Snow
    (24/50)
    Kate Snow, We are a Herd, Huddled Together Seeking Safety in Plain Sight (2017), Gouache and graphite on handmade paper, 24 x 18 inches;28.5 x 22.25 inches
  • We Couldn't Wait to Complete the Foundation Before Building Higher and Higher and Higher by Kate Snow
    (25/50)
    Kate Snow, We Couldn't Wait to Complete the Foundation Before Building Higher and Higher and Higher (2017), Gouache and graphite on handmade paper, 23.5 x 12 inches;29 x 17.25 inches
  • We Fill in the Gaps as Best We Can (but Still Cracks Remain) by Kate Snow
    (26/50)
    Kate Snow, We Fill in the Gaps as Best We Can (but Still Cracks Remain) (2017), Gouache and graphite on handmade paper, 14 x 11 inches;19.5 x 16 inches
  • We -Exist- Thrive in Spite of the Noise by Kate Snow
    (27/50)
    Kate Snow, We -Exist- Thrive in Spite of the Noise (2017), Gouache and graphite on handmade paper, 14 x 11 inches;19.25 x 16 inches
  • Kennedy Boulevard Boogie Woogie by David Reisman
    (28/50)
    David Reisman, Kennedy Boulevard Boogie Woogie (1986), Acrylic on Canvas, 30 x 24 inches
  • Painting for Spiritual America by David Reisman
    (29/50)
    David Reisman, Painting for Spiritual America (1986), Acrylic on Canvas, 30 x 24 inches
  • Untitled (Haiku) by Mahmoud Hamadani
    (30/50)
    Mahmoud Hamadani, Untitled (Haiku) (2011), Acrylic on Wood Panel, 48 x 48 inches
  • Down in the Mine by David Reisman
    (31/50)
    David Reisman, Down in the Mine (2019), Acrylic on Canvas, 30 x 24 inches
  • Orbit by David Reisman
    (32/50)
    David Reisman, Orbit (2019), Acrylic on Canvas, 30 x 24 inches
  • Untitled (Requiem) by Mahmoud Hamadani
    (33/50)
    Mahmoud Hamadani, Untitled (Requiem) (2019), Ink on paper, 22 x 30 inches;25.25 x 33 inches
  • Untitled (Haiku) by Mahmoud Hamadani
    (34/50)
    Mahmoud Hamadani, Untitled (Haiku) (2011), Acrylic on Wood Panel, 24 x 24 inches
  • Untitled (Odes) by Mahmoud Hamadani
    (35/50)
    Mahmoud Hamadani, Untitled (Odes) (2015), Ink on paper, 18 x 30 inches;32.75 x 20.5 inches
  • Six Paintings and One Photo from Saturday, June 25, 2005 by Doug Ashford
    (36/50)
    Doug Ashford, Six Paintings and One Photo from Saturday, June 25, 2005 (2014), 14.5 x 16.875 inches
  • Six Paintings and One Photo from Saturday, June 25, 2005 (3 of 6) by Doug Ashford
    (37/50)
    Doug Ashford, Six Paintings and One Photo from Saturday, June 25, 2005 (3 of 6) (2014), Egg tempera and acrylic on wood panel, 12.75 x 14.125 inches
  • Six Paintings and One Photo from Saturday, June 25, 2005 (4 of 6) by Doug Ashford
    (38/50)
    Doug Ashford, Six Paintings and One Photo from Saturday, June 25, 2005 (4 of 6) (2014), Egg tempera and acrylic on wood panel, 12.75 x 14.125 inches
  • Six Paintings and One Photo from Saturday, June 25, 2005 (5 of 6) by Doug Ashford
    (39/50)
    Doug Ashford, Six Paintings and One Photo from Saturday, June 25, 2005 (5 of 6) (2014), Egg tempera and acrylic on wood panel, 12.75 x 14.125 inches
  • Head Shots (MS) by Aura Rosenberg
    (40/50)
    Aura Rosenberg, Head Shots (MS) (1995), Rocks, inkjet prints and resin
  • B1 by Caryn Azoff
    (41/50)
    Caryn Azoff, B1 (2016), Flashe, gouache and colored pencil on paper, 8 x 8 inches
  • B2 by Caryn Azoff
    (42/50)
    Caryn Azoff, B2 (2017), Flashe, gouache and colored pencil on paper, 8 x 8 inches
  • B3 by Caryn Azoff
    (43/50)
    Caryn Azoff, B3 (2017), Flashe, gouache and colored pencil on paper, 8 x 8 inches
  • B4 by Caryn Azoff; by Caryn Azoff
    (44/50)
    Caryn Azoff;Caryn Azoff, B4 (2017), Flashe, gouache and colored pencil on paper, 8 x 8 inches
  • S1 by Caryn Azoff
    (45/50)
    Caryn Azoff, S1 (2017), Flashe, gouache and colored pencil on paper, 6 x 6 inches
  • S2 by Caryn Azoff
    (46/50)
    Caryn Azoff, S2 (2017), Flashe, gouache and colored pencil on paper, 6 x 6 inches
  • S3 by Caryn Azoff
    (47/50)
    Caryn Azoff, S3 (2017), Flashe, gouache and colored pencil on paper, 6 x 6 inches
  • S4 by Caryn Azoff
    (48/50)
    Caryn Azoff, S4 (2017), Flashe, gouache and colored pencil on paper, 6 x 6 inches
  • Site by Pamela Allen
    (49/50)
    Pamela Allen, Site (2019), Carved wood, 19.5 x 19.5 inches
  • Ideations by Pamela Allen
    (50/50)
    Pamela Allen, Ideations (2019), Collaged monotype on paper, 20 x 20 inches