• (1/62)
    Jeffrey Rothstein, The Blue Wall from Zion: Plateaux of Mirrors Series (2013 – 2015), Archival InkJet print, 30 x 20 inches
  • (2/62)
    Liz Rundorff Smith, Yard (2018), Oil on Wood Panel, 48 x 48 inches
  • (3/62)
    Liz Rundorff Smith, Igloo (2019), Oil on Canvas, 40 x 40 inches
  • (4/62)
    Miriam Stern, Black & White (2019), Monoprint on Paper, 28.75 x 21.5 inches
  • (5/62)
    Karrie Ross, Peaking (2019), Acrylic and collage on panel, 18 x 12 inches
  • (6/62)
    Samantha Morris, Valley (2018), Oil on Wood Panel, 8 x 10 inches
  • (7/62)
    Mary Tooley Parker, Lyndhurst and Sunnyside (2013), Wool and other fibers on linen, 17 x 36 inches
  • (8/62)
    Mary Tooley Parker, House on the Hill (2013), Wool and other fibers on linen, 30 x 33 inches
  • (9/62)
    George Smith, Middle River Rocks 1 (2016), Acrylic and graphite on canvas , 48 x 48 inches
  • (10/62)
    Daniel Bohman, Overlook (2019), Acrylic on Canvas, 40 x 40 inches
  • (11/62)
    Melanie Kozol, Karst (2025) (2016), Watercolor and sumi-e on paper , 22.5 x 52 inches
  • (12/62)
    Alicia Rothman, Monteluco (2019), Oil on Wood Panel, 10 x 8 inches
  • (13/62)
    Pat Badt, Sedona (2014), Oil on support with verso, 36 x 18 inches
  • (14/62)
    Brian Rattiner, Walking to Town (New Mexico) (2011), Oil on Canvas, 48 x 36 inches
  • (15/62)
    Wendy Letven, Warp and Weft V (2019), Oil on Canvas, 16 x 12 inches
  • (16/62)
    Hank Ehrenfried, Brother and Mother with Rocks; Pink Waves on Purple Sea (2019), Oil on Canvas, 48 x 58 inches
  • (17/62)
    Steve Singer, Long Beach Jetty (2008), Watercolor on Paper, 14.75 x 18.5 inches
  • (18/62)
    Deborah Weiss, Foreign Shores Rigid Coast (2018), Oil on Wood Panel, 14 x 14 x 7/8 inches
  • (19/62)
    Ellen Sturm Niz, Strata (2019), Green soapstone, 7.75 x 7 x 2.5 inces
  • (20/62)
    Oli Berg, Cliff (2019), Acrylic on Canvas, 25 x 20 inches
  • (21/62)
    Benjamin Guffee, Peaks 01 (2017 – 2018), Oil on Linen, 20 x 20 inches
  • (22/62)
    Vernita Nemec, A Rocky Interpretation (2017), Collage with sugar pack, burned paper, acrylic, monoprint on rag board, 4 x 4.75 inches
  • (23/62)
    Vernita Nemec, Hill in the Tropics (2017), Collage with sugar pack, burned paper, acrylic, monoprint on rag board, 4.25 x 5 inches
  • (24/62)
    Vernita Nemec, Storm Brewing (2017), Collage with cardboard, burned paper, acrylic, monoprint on rag board, 3.5 x 4.125 inches
  • (25/62)
    Kate Snow, This Seemingly Limitless Breadth of Time (2019), Gouache and printmaking ink on panel, 20 x 48 inches
  • (26/62)
    Travis Childers, Brickscapes (2017), Mixed media on brick, 24 x 7 x 6 inches
  • (27/62)
    Sophia Krupsha, Coal Country (2019), Acrylic and gold leaf on canvas , 16 x 20 inches
  • (28/62)
    Jackie Leishman, Yosemite 29 (2017), Printmaking ink, paint and collage on paper, 24 x 18 inches
  • (29/62)
    Nanzanin Noroozi, Mount Damavand (2019), Cyanotype and watercolor on paper, 12 x 16 inches
  • (30/62)
    Donald Groscost, Flashback "November 1" (2017), Sumi ink on Yupo paper, 11.5 x 13 inches
  • (31/62)
    Naomi Schlinke, Plunge (2017), Ink on mulberry paper, 40 x 32 inches
  • (32/62)
    Leandro Artigala, Mayon Volcano (2016), Archival InkJet print, 22 x 29 inches
  • (33/62)
    Gary Kaleda, Earth (2016), Vibrachrome archival dye-sublimination print on aluminum, 15.75 x 36 inches
  • (34/62)
    Ron Paras, Orbit (2018), Archival InkJet print, 32.5 x 44.5 inches
  • (35/62)
    Anna Feld, Ogunquit Maine (2019), Oil on Canvas, 30 x 40 inches
  • (36/62)
    Zachary Lobdell, Storm & Flare (2016), Acrylic and enamel on canvas, 58 x 38 inches
  • (37/62)
    Emily Weiskopf, Golden (2019), Relief print on Japanese paper, 40 x 30 inches
  • (38/62)
    Katrina Bello, Rockscape (2016), Graphite on paper, 6.5 x 9.5
  • (39/62)
    Kristian Battell, An August Oasis (2018), Acrylic and oil pastel on paper, 36 x 72 inches
  • (40/62)
    Karl Lorenzen, Crimson Canyon 3 (2016), Watercolor on torn paper, 4.25 x 5.5 inches
  • (41/62)
    Michael Eade, Nurse Log Bridge (2017), Egg tempera, raised copper leaf and oil on canvas, 22 x 28 inches
  • (42/62)
    Jerome Clark, Untitled 01 (2018), Archival InkJet print, 11 x 14 inches
  • (43/62)
    Francesca Azzara, Canyon (2017), Encaustic and mixed media on panel, 8 x 8 inches
  • (44/62)
    Astrid Fitzgerald, Collage 462 (2014), Digital print on paper, 19.5 x 13.5 inches
  • (45/62)
    Astrid Fitzgerald, Collage 472 (2014), Digital print on paper, 19.5 x 13.5 inches
  • (46/62)
    Karin Bruckner, Cliff Hanger (2019), Embossing, piercing, metallic thread and mirror paper, monotype hand pulled by artist on etching Press, 10 x 11 inches
  • (47/62)
    Nancy Simonds, Hot Day Blues (2019), Gouache on paper, 22 x 22 inches
  • (48/62)
    Deborah Freedman, Good Night Irene 3 (2012), Oil on Canvas, 30 x 30 inches
  • (49/62)
    Shira Toren, Expedition T (2018), Venetian plaster, graphite powder, ink on canvas on board, 15 x 22 inches
  • (50/62)
    Shira Toren, Dwelling Tower (2018), Venetian plaster, graphite powder, ink on canvas, on board, 13 x 22 inches
  • (51/62)
    Seongmin Ahn, Aphrodisiac 09 (2017), Ink and color on mulberry paper, 36 x 24 inches
  • (52/62)
    Jessica M Kaufman, Monument 5 (2015), Archival pigment print, 40 x 30 inches
  • (53/62)
    Carole Eisner, The Snake Charmer (1995), Acrylic on Canvas, 40 x 40 inches
  • (54/62)
    Maria Passarotti, Dam (2007), Chromogenic print, 47 x 38 inches
  • (55/62)
    Kyunglim Lee, The Diamond Mountain (2019), Acrylic, corrugated cardboard, coated with epoxy resin, 30 x 40 inches
  • (56/62)
    Barbara Strasen, CHINOISERIE (2018), Acrylic and collage on Yupo paper, 36 x 24 inches
  • (57/62)
    Ellen Hermanos, Pebble Series I (2019), Mixed media on Canvas, 12 x 12 inches
  • (58/62)
    Ellen Hermanos, Pebble Series II (2019), Mixed media on Canvas, 12 x 12 inches
  • (59/62)
    Ellen Hermanos, Pebble Series III (2019), Mixed media on Canvas, 12 x 12 inches
  • (60/62)
    Tom Gaines, Rock 169: Mahler's Second (2016), Acrylic on Canvas, 34 x 32 inches
  • (61/62)
    Tom Gaines, Rock 194: Zodiac (2019), Acrylic on Canvas, 30.5 x 24 inches
  • (62/62)
    Chase Langford, Coldwater 112 (2011), Oil on Paper, 17 x 14 inches