(1/64)
Karin Bruckner, Cliff Hanger (2019), Embossing, piercing, metallic thread and mirror paper, monotype hand pulled by artist on etching Press, 10 x 11 inches

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(2/64)
James Isherwood, The Perception of Monuments (2019), Acrylic on Wood Panel, 24 x 36 x 1.5 inches

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(3/64)
Seongmin Ahn, Aphrodisiac 09 (2017), Ink and color on mulberry paper, 36 x 24 inches

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(4/64)
Leandro Artigala, Mayon Volcano (2016), Archival InkJet print, 22 x 29 inches

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(5/64)
Francesca Azzara, Canyon (2017), Encaustic and mixed media on panel, 8 x 8 inches

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(6/64)
Pat Badt, Sedona (2014), Oil on support with verso, 36 x 18 inches

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(7/64)
Kristian Battell, An August Oasis (2018), Acrylic and oil pastel on paper, 36 x 72 inches

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(8/64)
Katrina Bello, Rockscape (2016), Graphite on paper, 6.5 x 9.5

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(9/64)
Oli Berg, Cliff (2019), Acrylic on Canvas, 25 x 20 inches

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(10/64)
Daniel Bohman, Overlook (2019), Acrylic on Canvas, 40 x 40 inches

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(11/64)
Travis Childers, Brickscapes (2017), Mixed media on brick, 24 x 7 x 6 inches

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(12/64)
Jerome Clark, Untitled 01 (2018), Archival InkJet print, 11 x 14 inches

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(13/64)
Michael Eade, Nurse Log Bridge (2017), Egg tempera, raised copper leaf and oil on canvas, 22 x 28 inches

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(14/64)
Hank Ehrenfried, Brother and Mother with Rocks; Pink Waves on Purple Sea (2019), Oil on Canvas, 48 x 58 inches

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(15/64)
Carole Eisner, Holy Man (1995), Acrylic on linen, 40 x 40 inches

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(16/64)
Anna Feld, Ogunquit Maine (2019), Oil on Canvas, 30 x 40 inches

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(17/64)
Astrid Fitzgerald, Collage 462 (2014), Digital print on paper, 19.5 x 13.5 inches

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(18/64)
Astrid Fitzgerald, Collage 472 (2014), Digital print on paper, 19.5 x 13.5 inches

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(19/64)
Deborah Freedman, Good Night Irene 3 (2012), Oil on Canvas, 30 x 30 inches

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(20/64)
Tom Gaines, Rock 106: Seagull (2012), Acrylic on Canvas, 33 x 33 inches

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(21/64)
Tom Gaines, Rock 169: Mahler's Second (2016), Acrylic on canvas mounted on wood panel, 34 x 32 inches

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(22/64)
Tom Gaines, Rock 194: Zodiac (2019), Acrylic on Canvas, 30.5 x 24 inches

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(23/64)
Donald Groscost, Flashback "November 1" (2017), Sumi ink on Yupo paper, 11.5 x 13 inches

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(24/64)
Benjamin Guffee, Peaks 01 (2017 – 2018), Oil on Linen, 20 x 20 inches

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(25/64)
Ellen Hermanos, Pebble Series I (2019), Mixed media on Canvas, 12 x 12 inches

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(26/64)
Ellen Hermanos, Pebble Series II (2019), Mixed media on Canvas, 12 x 12 inches

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(27/64)
Ellen Hermanos, Pebble Series III (2019), Mixed media on Canvas, 12 x 12 inches

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(28/64)
Gary Kaleda, Earth (2016), Vibrachrome archival dye-sublimination print on aluminum, 15.75 x 36 inches

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(29/64)
Jessica M Kaufman, Monument 5 (2015), Archival pigment print, 40 x 30 inches

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(30/64)
Melanie Kozol, Karst (2016), Watercolor and sumi-e on paper , 22.5 x 52 inches

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(31/64)
Sophia Krupsha, Coal Country (2019), Acrylic and gold leaf on canvas , 16 x 20 inches

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(32/64)
Chase Langford, Coldwater 112 (2011), Oil on Paper, 17 x 14 inches

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(33/64)
Kyunglim Lee, The Diamond Mountain (2019), Acrylic, corrugated cardboard, coated with epoxy resin, 30 x 40 inches

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(34/64)
Jackie Leishman, Yosemite 29 (2017), Printmaking ink, paint and collage on paper, 24 x 18 inches

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(35/64)
Wendy Letven, Warp and Weft V (2019), Oil on Canvas, 16 x 12 inches

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(36/64)
Zack Lobdell, Storm & Flare (2016), Acrylic and enamel on canvas, 58 x 38 inches

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(37/64)
Karl Lorenzen, Crimson Canyon 3 (2016), Watercolor on torn paper, 4.25 x 5.5 inches

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(38/64)
Samantha Morris, Valley (2018), Oil on Wood Panel, 8 x 10 inches

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(39/64)
Vernita Nemec, A Rocky Interpretation (2017), Collage with sugar pack, burned paper, acrylic, monoprint on rag board, 4 x 4.75 inches

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(40/64)
Vernita Nemec, Hill in the Tropics (2017), Collage with sugar pack, burned paper, acrylic, monoprint on rag board, 4.25 x 5 inches

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(41/64)
Vernita Nemec, Storm Brewing (2017), Collage with cardboard, burned paper, acrylic, monoprint on rag board, 3.5 x 4.125 inches

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(42/64)
Nazanin Noroozi, Mount Damavand (2019), Cyanotype and watercolor on paper, 17 x 21 inches

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(43/64)
Ron Paras, Orbit (2018), Archival InkJet print, 32.5 x 44.5 inches

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(44/64)
Maria Passarotti, Dam (2007), Chromogenic print, 47 x 38 inches

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(45/64)
Brian Rattiner, Walking to Town (New Mexico) (2011), Oil on Canvas, 48 x 36 inches

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(46/64)
Karrie Ross, Peaking (2019), Acrylic and collage on panel, 18 x 12 inches

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(47/64)
Alicia Rothman, Monteluco (2019), Oil on Wood Panel, 10 x 8 inches

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(48/64)
Jeffrey Rothstein, The Blue Wall from Zion: Plateaux of Mirrors Series (2013 – 2015), Archival InkJet print, 30 x 20 inches

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(49/64)
Liz Rundorff Smith, Igloo (2019), Oil on Canvas, 40 x 40 inches

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(50/64)
Liz Rundorff Smith, Yard (2018), Oil on Wood Panel, 48 x 48 inches

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(51/64)
Naomi Schlinke, Plunge (2017), Ink on mulberry paper, 40 x 32 inches

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(52/64)
Nancy Simonds, Hot Day Blues (2019), Gouache on paper, 22 x 22 inches

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(53/64)
Steve Singer, Long Beach Jetty (2008), Watercolor on Paper, 10.25 x 14.125

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(54/64)
George Smith, Middle River Rocks 1 (2016), Acrylic and graphite on canvas , 48 x 48 inches

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(55/64)
Kate Snow, This Seemingly Limitless Breadth of Time (2019), Gouache and printmaking ink on panel, 20 x 48 inches

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(56/64)
Miriam Stern, Black & White (2019), Monoprint on Paper, 28.75 x 21.5 inches

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(57/64)
Barbara Strasen, CHINOISERIE (2018), Acrylic, ink and collage on Yupo mounted on museum board, 36 x 24 inches

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(58/64)
Ellen Sturm Niz, Strata (2019), Green soapstone, 7.75 x 7 x 2.5 inces

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(59/64)
Mary Tooley Parker, House on the Hill (2013), Wool and other fibers on linen, 30 x 33 inches

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(60/64)
Mary Tooley Parker, Lyndhurst and Sunnyside (2013), Wool and other fibers on linen, 17 x 36 inches

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(61/64)
Shira Toren, Dwelling Tower (2018), Venetian plaster, graphite powder, ink on canvas, on board, 13 x 22 inches

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(62/64)
Shira Toren, Expedition (2018), Venetian plaster, graphite powder, ink on canvas on board, 15 x 22 inches

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(63/64)
Emily Weiskopf, Golden (2019), Relief print on Japanese paper, 40 x 30 inches

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(64/64)
Deborah Weiss, Foreign Shores Rigid Coast (2018), Oil on Wood Panel, 14 x 14 x 7/8 inches

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