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										 (1/30) (1/30)
 Angela A'Court, Cool Thursday (2019), Soft pastel on paper, 17 x 20.5 inches; 20.5 x 24 inches
 Inquire
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										 (8/30) (8/30)
 Karin Bruckner, WhiteOutInside (2014), Pastel, pencil, oil based ink on paper, 22.5 x 22.5 inches; 26.5 x 26.5 inches
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										 (10/30) (10/30)
 Michael Eade, Stormy Landscape (2019), Copper plate line etching on white Hahnemuhle paper, 21 x 25 inches
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										 (12/30) (12/30)
 Lisa Fellerson, Two Week Romance (2009), Acrylic and oilstick on canvas, 30 x 36 inches
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										 (14/30) (14/30)
 Charlotta María Hauksdóttir, Kenneth Drive (2013), Archival pigment print, 22 x 30 inches
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										 (16/30) (16/30)
 Rachelle Krieger, Small Landscape with Light Rays 1 (2017), Acrylic and flashe on linen, 20 x 16 inches
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										 (19/30) (19/30)
 Kim Luttrell, Unidentified Object (2016), Mixed media and resin on canvas, 24 x 20 inches
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										 (20/30) (20/30)
 Danelle Manthey, Reflection 1 (2014), Archival pigment print, 24 x 16 inches; 36 x 24 inches
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										 (21/30) (21/30)
 Emily Miraglia, Untitled (Four American Flags) (2018), Archival InkJet print, 16 x 20 inches
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										 (23/30) (23/30)
 Nazanin Noroozi, The Book of Joy No. 7 (2016), Toner transfer, acrylic and resin, 27 x 20 inches
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										 (29/30) (29/30)
 Fumiko Toda, Earl Grey (2015), Etching, monotype and chine collé on paper, 30 x 22 inches
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										 (30/30) (30/30)
 Heather Boose Weiss, One With the Birds (2004), Archival pigment print, Edition of 10 with 2 AP, 15 x 15 inches
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